News
January 29, 2012
Peek at post for `Violet & Daisy` - The 2K dailies solution
Variety
January 04, 2012
The First 2K Dailies in NYC
Web Press Release
May 31, 2011
DP Eigil Bryld on DP DAILIES
Hollywood Industry
October 12, 2009
Mega Playground supports NY I Love You
Moviemaker
August 09, 2009
American Cinematographer discusses DP DAILIES
American Cinematographer
July 06, 2009
Customized Color Correction For RED Feature
Digital Intermediates
April 06, 2009
Can Smart Color Technology Save Your Feature $100,000?
Film and Video Magazine
April 05, 2009
Film/TV Colorist Ben Perez Returns to Mega Playground
Post Magazine
January 04, 2009
60 Sec Q&A with Mega Playground’s CTO Terry Brown
Studios daily
December 20, 2007
Mega Playground’s CTO Terry Brown on Hi Def
Post magazine
December 09, 2007
Terry Brown joins Mega Playground
Below the Line Magazine
November 12, 2007
Mega Playground Names Terry Brown Technology Guru
Press Release
July 04, 2005
Playing Hardball Post Downtown
Film and Video Magazine
May 01, 2005
Post House expands Gotham Playground
Daily Variety
July 06, 2009
Customized Color Correction For RED Feature
Digital Intermediates
The project was shot using the RED One camera in 2K mode which required some special image processing.
"We`ve been experimenting with RED for some time, and have developed methods for getting the best possible images out of the raw footage," Brown says.
"We initially conformed the 90 minute feature at 1/4 resolution to matched it against the offline reference. We then bumped it up to full premium 2K size rendering DPX files. Ultimately, we produced a cost-effective high-quality DI that resolved all of Robert`s aesthetic concerns and, it was printed perfectly by our next door neighbor, Technicolor. The film`s look is perfect for its darkly comic plotline. Siegel is a skilled storyteller, and extremely aware of the value of color correction in heightening his dramatic and comedic plot points," Brown concludes.
"Sometimes these Mega Playground guys seemed to care more about the film than I did," Siegel remarked, "I`m an admitted perfectionist, but there were moments when what satisfied me wasn`t good enough for them. Mike Smollin really went the extra nine yards, fixing titles and other elements that weren`t in the initial plan. The final print looked exactly the way it did in DI. I was impressed with their technology, their size and their attitude. I`m not a `techie,`" Siegel concludes, "but Mike, Terry Brown and everyone at Mega was easy to talk with and not over-steeped in jargon. This was a great working experience."


  Mega Playground For Robert Siegel.pdf
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